"Simin Daneshvar: Early Iranian at Stanford"; a Documentary by Sharif University of Technology Association (Farsi)

Simin Daneshvar

Simin Dāneshvar (Persian: سیمین دانشور‎;‎ April 28, 1921 – March 8, 2012) was an Iranian academic, novelist, fiction writer and translator. Daneshvar had a number of firsts to her credit. In 1948, her collection of Persian short stories was the first by an Iranian woman to be published. The first novel by an Iranian woman was her Savushun ("Mourners of Siyâvash," 1969), which has become Iran's bestselling novel ever. Daneshvar's Playhouse, a collection of five stories and two autobiographical pieces, is the first volume of translated stories by an Iranian woman author. (From Wikipedia)

"My Tehran for Sale" by Granaz Moussavi

Granaz Moussavi

Granaz Moussavi (Persian : گراناز موسوی ), (born January 26, 1974 in Tehran) is an Iranian-Australian contemporary poet, film director and screen writer. She is primarily renowned for her avant-garde poetry in the 90's. Her award winning debut feature film My Tehran for Sale is an internationally acclaimed Australian-Iranian co-production. (From Wikipedia)

My Tehran for Sale (Persian :تهران من، حراج), is an internationally acclaimed 2009 Australian-Iranian feature film written and directed by avant-garde poet turned filmmaker Granaz Moussavi, produced by Cyanfilms and starring Marzieh Vafamehr, Amir Chegini and Asha Mehrabi.

Officially selected by Toronto, Rotterdam, Pusan and several other international film festivals, this debut art-house, explores the contemporary Tehran and its underground art scene focusing on the life of a young actress who has been banned from her theater work. Struggling to pursue her passion in art as well as her secret life-style in a socially oppressed environment, Marzieh gets involved in some subsequent and unexpected events leading her to a decision-making dilemma regarding her survival and identity.

Unlike already acclaimed Iranian exotic cinema which is mostly known in the West by its portrayal of rural life, nature landscapes, as well as socio-economically deprived children struggling for survival in the outskirts of Tehran, the writer/director of My Tehran for Sale attempts to depict the middle class people and the uncertainties in their every day urban life. My Tehran for Sale has a poetic language to address critical issues such as double life of young people, women oppression, HIV issue, secret abortions, underground art, massive immigration, crisis of identity, people smuggling and also asylum seeker detention centers.

My Tehran For Sale is the winner of Independent spirit Inside Film Awards 2009. It won the jury award for best feature Film at the TriMedia Film Festival in 2010. Apart from various festivals and universities the film was screened at Museum of Modern Art MoMA in New York as well as Cinémathèque Française in Paris.

The film has been an official selection to Toronto International Film Festival TIFF (Sep 2009), Vancouver International Film Festival (Sep-Oct 2009), Busan International Film Festival BIFF(formerly PIFF) (Oct 2009), International Filmfestival Mannheim-Heidelberg (Nov 2009), Museum of Modern Art MoMA (New York, Jan 2010), International Film Festival Rotterdam (Jan 2010), International Film Festival Prague - Febiofest, 2010 Cinema Novo Film Festival Brugges 2010, CPH:PIX Copenhagen International Film Festival 2010, Guadalajara International Film Festival Mexico, Sydney Travelling Film Festival, Las Palmas de Gran Canaria International Film Festival, Human Rights Arts and Film Festival HRAFF 2010, Focus on Asia Fukuoka International Film Festival 2010 , Global Lens USA 2010, Dialogue of Cultures Film Festival New York 2011 and SVAW Film Fesival Melbourne 2011, etc. (From Wikipedia)

"Talking With A Shadow" by Khosrow Sinai (2005)

Talking With A Shadow is a movie about the renowned Iranian writer Sadegh Hedayat.



Sadegh Hedayat



Sadegh (also spelled as Sadeq) Hedayat (in Persian: صادق هدایت; February 17, 1903, Tehran — 4 April 1951, Paris, France) was Iran's foremost modern writer of prose fiction and short stories.

Hedayat was born into a Iranian aristocratic family in Tehran and was educated at Collège Saint-Louis (French catholic school) and Dar ol-Fonoon (1914–1916). In 1925, he was among a selected few students who travelled to Europe to continue their studies. There, he initially went on to study engineering in Belgium, after a year he gave this up to study architecture in France. While there, he gave up architecture to pursue dentistry. In this period he became acquainted with Therese, a Parisian with whom he had a love affair. In 1927 Hedayat attempted suicide by throwing himself into the river Marne, however he was rescued by a fishing boat. After four years in France and Belgium, he finally surrendered his scholarship and returned home in the summer of 1930 without receiving a degree. In Iran he held various jobs for short periods.

Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore. The works of Rainer Maria Rilke, Edgar Allan Poe, Franz Kafka, Anton Chekhov and Guy de Maupassant intrigued him the most. During his short literary life span, Hedayat published a substantial number of short stories and novelettes, two historical dramas, a play, a travelogue, and a collection of satirical parodies and sketches. His writings also include numerous literary criticisms, studies in Persian folklore, and many translations from Middle Persian and French. He is credited with having brought Persian language and literature into the mainstream of international contemporary writing. There is no doubt that Hedayat was the most modern of all modern writers in Iran. Yet, for Hedayat, modernity was not just a question of scientific rationality or a pure imitation of European values.

In his later years, feeling the socio-political problems of the time, Hedayat started attacking the two major causes of Iran's decimation, the monarchy and the clergy, and through his stories he tried to impute the deafness and blindness of the nation to the abuses of these two major powers. Feeling alienated by everyone around him, especially by his peers, Hedayat's last published work, The Message of Kafka, bespeaks melancholy, desperation and a sense of doom experienced only by those subjected to discrimination and repression.

Hedayat travelled and stayed in India from 1937 until 1939. In Bombay he completed and published his most enduring work, The Blind Owl, whose writing he started as early as 1930 in Paris. The book was praised by many including Henry Miller and André Breton. It has been called "one of the most important literary works in the Persian language".

At the end of 1950, Hedayat left Iran for Paris. There, on 4 April 1951, he committed suicide by gassing himself in a small rented apartment on 37 Rue Championnet. He had plugged all the gaps in the windows and door with cotton and, so it wouldn’t burden anyone, he had placed the money (a hundred thousand francs) for his shroud and burial in his side wallet in plain view. He was buried at the division 85 of Père Lachaise cemetery. His funeral was attended by a number of intimate friends and close acquaintances, both Iranian and Frenchmen.(From Wikipedia)

Khosrow Sinai

Khosrow Sinai (Persian: خسرو سینایی , born 19 January 1941 in Sari, Iran) is an Iranian film director. His works are usually based on social documentations. He was the first Iranian film director to win an international prize after the Islamic revolution in Iran.He is also known as an Iranian scholar and has been awarded the prestigious 'Knights Cross of the Order of Merit of the Polish Republic'. (From Wikipedia)

An Interview with Mahmoud Dowlatabadi



Mahmoud Dowlatabadi

Mahmoud Dowlatabadi (Persian: محمود دولت‌آبادی) (born 1940 in Dowlatabad, Sabzevar) is an Iranian writer and actor. He is known as a realist writer of stories of rural life, in which he largely draws on his own experiences.

He was born in Dowlatabad, a village in the Sabzevar, north-western part of the Khorasan Province, Iran, and spent his youth helping his father with farming and tending the flocks, and reading tales of Persian folklore. He attended high school in Tehran but failed to attain a degree. He later joined the Anahita Drama Group. In 1975, he was arrested and spent a year in prison.

Dowlatabadi started writing in the 1960s and has published several novels, novellas, short story collections and plays for theatre. Hist first story, The Pite of Night, was published in 1962 in the Anahita Literary Magazine. Other significant works include his 1968 novel The Tale of Baba Sobhan, which was made into a motion picture by Masud Kimiai entitled "Khak" (Earth/dust; 1972) and his magnum opus, Kalidar, which he wrote between 1977 and 1984. (From Wikipedia)

Houshang Golshiri Reads "Massive Explosion" (Farsi)

Houshang Golshiri

Houshang Golshiri (Persian: هوشنگ گلشیری; March 16 , 1938 — June 6, 2000) was an Iranian fiction writer, critic and editor. He was one of the first Iranian writers to use modern literary techniques, and is recognized as one of the most influential writers of Persian prose of the twentieth century.


Golshiri was born in Isfahan in 1938 and raised in Abadan. He came from a large family of modest circumstances. From 1955 to 1974, Golshiri lived in Isfahan, where he completed a bachelor's degree in Persian at the University of Isfahan and taught elementary and high school there and in surrounding towns.


Golshiri began writing fiction in the late 1950s. His publication of short stories in Payam-e Novin and elsewhere in the early 1960s, his establishment of Jong-e Isfahan (1965/73), the chief literary journal of the day published outside of, and his participation in efforts to reduce official censorship of imaginative literature brought him a reputation in literary circles.


Golshiri's first collection of short stories was As Always (1968). He became famous for his first novel Prince Ehtejab (1968/69). Translated in Literature East & West 20 (1980), it is the story of aristocratic decadence, implying the inappropriateness of monarchy for Iran. Shortly after production of the popular feature film based on the novel, Pahlavi authorities arrested Golshiri and incarcerated him for nearly six months.


An autobiographical and less successful novel called Christine and Kid came out in 1971, followed by a collection of short stories called My Little Prayer Room 1975, and a novel called Ra'i's Lost Lamb 1977.


In 1978, Golshiri travelled to the United States. Back in Iran in early 1979, Golshiri married Farzaneh Taheri whom he credits with editing his subsequent writing and was active in the revitalized Association of Iranian Writers, the editing of journals, literary criticism, and short-story writing. In the 1980s, he published The Fifth Innocent (1980), The Antique Chamber (1983), The Story of the Fisherman and the Demon (1984), and Five Treasures (1989), which he published in Stockholm during a visit to Europe in 1989. In 1990, under a pseudonym, Golshiri published a novella in translation called King of the Benighted, an indictment of Iranian monarchy, engage Persian literature, the Tudeh Party, and the Islamic Republic. A collection of Golshiri stories in translation was scheduled for publication in 1991 with the title Blood and Aristocrats and Other Stories.


In the winter of 1998 he published The Book of Genies and Struggle of Image with Painter, and in the autumn of 1999 he released a collection of articles called Garden in Garden.
In 1999 Golshiri was awarded the Erich-Maria Remarque Peace Prize for his struggle to promote democracy and human rights in Iran. (From Wikipedia)