"Rencontre avic Aramech Dusdar" by Ali Amini and Farhad Farhadi, 2000 (Farsi with French subtitles)

Aramesh Dusdar

Aramesh Dustdar (born in Tehran) is an Iranian philosopher, writer, scholar and a former philosophy lecturer at Tehran University.Dustdar received a PhD degree in philosophy from University of Bonn. He is known in Iran as a secular Heideggerian philosopher (in contrast to Reza Davari Ardakani who is a religious Heideggerian philosopher). (From Wikipedia)


"[Aramesh Dusdar] belongs to the same generation of Tehran's academic "philosophers" in the early 1970's, people like Shayegan, Davari, Enayat, Nasr and a few minor figures around them, who were thinking within the same problematic discourse that Ahmad Fardid (via Al-e-Ahmad) laid its parameters out: the destiny of our culture against the onslaught of Western civilization; questions of History (capital H), faith, modern science and technology and what lays ahead, our future in the world. Aramesh Dustdar was the black sheep of the gang, the antichrist among the gatekeepers of Hekmat-e-Elaahi.

Then something strange happened which is not dissimilar to Germany in the 30s. Amazing parallels! History took a grave turn and everybody got caught up in its tremors. We don't get in to that story but one immediate result was a moratorium on thinking, the kind which had just started.

Regardless of what we think of these individuals and the weight and caliber of their thinking (I happen to think the majority were ersatz-philosophers), we should grant them that they were the first group of post-Mashrootiat intellectuals who could be called "thinkers" or "philosophers." All the others before them were Adeebs, Mohaghgheghs, encyclopedists and Alems, and of course a mass of journalists that we can loosely call our modern intelligentsia.

But among that crew of thinkers, Aramesh Dustdar was the oddball; he did not have the nativist peasant attitude sporting a tassbih, clearing his throat with verses of Hafiz (or hooey from Sepehri) every step of the way, and he certainly was not a dilettante-tourist-philoshophe with Parisian accent searching Illuminations from the East. He was a true German mandarin of strong atheistic stripes, a heavy-weight. And he was bent to grapple with all those mystifications generally known as farhang-e Irani-Islami. Only one person before him had done something similar, a serious wake-up call, little understood up until even today: a man named Ali Esfanidari, otherwise known as Nima Youshij." (From "Demanding criticism" by Abdee Kalantari)

"Talking With A Shadow" by Khosrow Sinai (2005)

Talking With A Shadow is a movie about the renowned Iranian writer Sadegh Hedayat.



Sadegh Hedayat



Sadegh (also spelled as Sadeq) Hedayat (in Persian: صادق هدایت; February 17, 1903, Tehran — 4 April 1951, Paris, France) was Iran's foremost modern writer of prose fiction and short stories.

Hedayat was born into a Iranian aristocratic family in Tehran and was educated at Collège Saint-Louis (French catholic school) and Dar ol-Fonoon (1914–1916). In 1925, he was among a selected few students who travelled to Europe to continue their studies. There, he initially went on to study engineering in Belgium, after a year he gave this up to study architecture in France. While there, he gave up architecture to pursue dentistry. In this period he became acquainted with Therese, a Parisian with whom he had a love affair. In 1927 Hedayat attempted suicide by throwing himself into the river Marne, however he was rescued by a fishing boat. After four years in France and Belgium, he finally surrendered his scholarship and returned home in the summer of 1930 without receiving a degree. In Iran he held various jobs for short periods.

Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore. The works of Rainer Maria Rilke, Edgar Allan Poe, Franz Kafka, Anton Chekhov and Guy de Maupassant intrigued him the most. During his short literary life span, Hedayat published a substantial number of short stories and novelettes, two historical dramas, a play, a travelogue, and a collection of satirical parodies and sketches. His writings also include numerous literary criticisms, studies in Persian folklore, and many translations from Middle Persian and French. He is credited with having brought Persian language and literature into the mainstream of international contemporary writing. There is no doubt that Hedayat was the most modern of all modern writers in Iran. Yet, for Hedayat, modernity was not just a question of scientific rationality or a pure imitation of European values.

In his later years, feeling the socio-political problems of the time, Hedayat started attacking the two major causes of Iran's decimation, the monarchy and the clergy, and through his stories he tried to impute the deafness and blindness of the nation to the abuses of these two major powers. Feeling alienated by everyone around him, especially by his peers, Hedayat's last published work, The Message of Kafka, bespeaks melancholy, desperation and a sense of doom experienced only by those subjected to discrimination and repression.

Hedayat travelled and stayed in India from 1937 until 1939. In Bombay he completed and published his most enduring work, The Blind Owl, whose writing he started as early as 1930 in Paris. The book was praised by many including Henry Miller and André Breton. It has been called "one of the most important literary works in the Persian language".

At the end of 1950, Hedayat left Iran for Paris. There, on 4 April 1951, he committed suicide by gassing himself in a small rented apartment on 37 Rue Championnet. He had plugged all the gaps in the windows and door with cotton and, so it wouldn’t burden anyone, he had placed the money (a hundred thousand francs) for his shroud and burial in his side wallet in plain view. He was buried at the division 85 of Père Lachaise cemetery. His funeral was attended by a number of intimate friends and close acquaintances, both Iranian and Frenchmen.(From Wikipedia)

Khosrow Sinai

Khosrow Sinai (Persian: خسرو سینایی , born 19 January 1941 in Sari, Iran) is an Iranian film director. His works are usually based on social documentations. He was the first Iranian film director to win an international prize after the Islamic revolution in Iran.He is also known as an Iranian scholar and has been awarded the prestigious 'Knights Cross of the Order of Merit of the Polish Republic'. (From Wikipedia)