Showing posts with label Rumi. Show all posts
Showing posts with label Rumi. Show all posts

Sunday, 27 May 2012

A Taste of Rumi and Bach

Coleman Barks


Coleman Barks was born and raised in Chattanooga, Tennessee, and was educated at the University of North Carolina and the University of California at Berkeley. He taught poetry and creative writing at the University of Georgia for thirty years. He is the author of numerous Rumi translations and has been a student of Sufism since 1977. His work with Rumi was the subject of an hour-long segment in Bill Moyers's Language of Life series on PBS, and he is a featured poet and translator in Bill Moyers's poetry special, "Fooling with Words." Coleman Barks is the father of two grown children and the grandfather of four. He lives in Athens, Georgia. (From Barks' official website)

Ibn 'Arabi & Rumi - Teachings for the Modern World was presented by NEW YORK OPEN CENTER and the Muhyiddin Ibn 'Arabi Society.






Saturday, 4 February 2012

Susan Scollay on Persian poetry

Susan Scollay


Susan Scollay reveals the beauty of Persian poetry and its vibrant tales of human and divine love. The classic love stories found in Persian poetry have been reflected in western culture, with parallels in the works of Chaucer and Shakespeare and in the lyrics of rock stars today. (From State Library of Victoria)



Sunday, 22 January 2012

Poet Robert Bly on the Great Persian Poets Hafez and Rumi

Robert Bly, American Poet



Robert Bly was born in western Minnesota in 1926 to parents of Norwegian stock. He enlisted in the Navy in 1944 and spent two years there. After one year at St. Olaf College in Minnesota, he transferred to Harvard and thereby joined the famous group of writers who were undergraduates at that time, which included Donald Hall, Adrienne Rich, Kenneth Koch, John Ashbery, Harold Brodky, George Plimpton, and John Hawkes. He graduated in 1950 and spent the next few years in New York living, as they say, hand to mouth.

Beginning in 1954, he took two years at the University of Iowa at the Writers Workshop along with W. D. Snodgrass, Donald Justice, and others. In 1956 he received a Fulbright grant to travel to Norway and translate Norwegian poetry into English. While there he found not only his relatives but the work of a number of major poets whose force was not present in the United States, among them Pablo Neruda, Cesar Vallejo, Gunnar Ekelof, Georg Trakl and Harry Martinson. He determined then to start a literary magazine for poetry translation in the United States and so begin The Fifties and The Sixties and The Seventies, which introduced many of these poets to the writers of his generation, and published as well essays on American poets and insults to those deserving. During this time he lived on a farm in Minnesota with his wife and children.

In 1966 he co-founded American Writers Against the Vietnam War and led much of the opposition among writers to that war. When he won the National Book Award for The Light Around the Body, he contributed the prize money to the Resistance. During the 70s he published eleven books of poetry, essays, and translations, celebrating the power of myth, Indian ecstatic poetry, meditation, and storytelling. During the 80s he published Loving a Woman in Two Worlds, The Wingéd Life: Selected Poems and Prose of Thoreau,The Man in the Black Coat Turns, and A Little Book on the Human Shadow.

His work Iron John: A Book About Men is an international bestseller which has been translated into many languages. He frequently does workshops for men with James Hillman and others, and workshops for men and women with Marion Woodman. He and his wife Ruth, along with the storyteller Gioia Timpanelli, frequently conduct seminars on European fairy tales. In the early 90s, with James Hillman and Michael Meade, he edited The Rag and Bone Shop of the Heart, an anthology of poems from the men's work. Since then he has edited The Darkness Around Us Is Deep: Selected Poems of William Stafford, and The Soul Is Here for Its Own Joy, a collection of sacred poetry from many cultures.

Books of poetry from the 1990s include What Have I Ever Lost by Dying? Collected Prose Poems and Meditations on the Insatiable Soul, both published by Harper Collins. His second large prose book, The Sibling Society, published by Addison-Wesley in hardcover and Vintage in paperback, has been the subject of nation-wide discussion. His collection, Morning Poems (Harper Collins), named for William Stafford's practice of writing a poem each morning, revisits the western Minnesota farm country of Bly's boyhood with marvelous wit and warmth. In the 1990s he published The Maiden King: The Reunion of Masculine and Feminine (Henry Holt) in collaboration with Marion Woodman. A new selected poems, Eating the Honey of Words, appeared in 1999 from Harper Flamingo. Recent translations include his versions of Ghalib, The Lightning Should Have Fallen on Ghalib (with Sunil Dutta) from Ecco Press and Angels Knocking on the Tavern Door (HarperCollins) a collection of poems by Hafez (with Leonard Lewisohn). Bly has also edited the prestigious Best American Poetry 1999 (Scribners). In 2000 he won the McKnight Foundation's Distinguished Artist Award. A book of ghazals, The Night Abraham Called to the Stars, was published by HarperCollins, 2001, and his selected translations, The Winged Energy of Delight, appeared from HarperCollins in 2004. In 2005 HarperCollins published his second book of ghazals, My Sentence Was a Thousand Years of Joy. In 2008, the Guthrie Theatre staged his translation of Ibsen's Peer Gynt. Recently, White Pine Press has published a new selection of his prose poems, Reaching Out to the World. Forthcoming in 2011 from W. W. Norton is a new collection of poems, Talking into the Ear of a Donkey. (From Robert Bly's official website)






Thursday, 18 August 2011

"Pink Heech" by Parviz Tanavoli



Parviz Tanavoli with a HEECH in the background 


Born in 1937 in Tehran, Iran, Parviz Tanavoli is one of Iran's most renowned and successful artists. Parvis studied at the Tehran School of Arts, the Academia di Belle Arti in Carrara and the Accademia di Belle Arti di Brera in Milan, Italy. Parviz was one of the founding members of Saqqakhaneh, an artistic movement which began in the early 1960's in Iran. He was the Head of the Sculpting Department at Tehran University until 1979; he was also part of the faculty at the Minneapolis College of Art and Design and Hamline University in St Paul Minnesota. He has now retired from teaching, living and working between Vancouver and Tehran.

Parviz has exhibited in numerous museums and art galleries around the world and his works feature in numerous public and private collections, such as permanent collections of major museums including: the British Museum, London; the Museum of Modern Art, New York; Walker Art Center, Minneapolis; New York University Art Collection; Minneapolis Institute of Art; Ludwig Forum, Aachen; Museum of Modern Art, Vienna; and Museum of Contemporary Art, Tehran.

 

Heech


Composed of three Farsi characters, the single word heech literally translates to "nothing". This term haunts the modern man and reflects feelings of unworthiness, of frustration and of powerlessness that permeate so much of the writing of contemporary literature.

Parviz's use of the heech underscores the transforming power of his art. In the West, existentialist convention prods us to read "nothingness" as a synonym for despair; but the heech in Tanavoli's work is more synonymous with creativity itself: it is the void filled by the artist's imagination, the "nothing" that through his shaping hand becomes "something". Mysticism enhances Tanavoli's fascination with the heech, but, as he himself acknowledges, he was also drawn to its calligraphic shape because of its resemblance to the human body. If the word itself suggests melancholy, Tanavoli's heech sculptures are joyful works. They stand, sit or recline as sensuously eloquent reminders of the plastic nature of Persian calligraphy. (From Candlestar)




Tuesday, 2 August 2011

"Rumi" Puppet Opera by Behrooz Gharibpour


Behrooz Gharibpour (Director)

Behrouz Gharibpour (born 1950) is a renowned Iranian theatre director and pioneer of traditional Persian puppet theatre. He studied theatre at Tehran University and at Dramatic Arts Academy in Rome (Silvio Damico). He founded Tehran and Esfahan puppet theatre centres and changed the Tehran’s slaughterhouse into a great Cultural Centre in Tehran. He has experienced writing and directoring in fields such as theatre, puppet theatre, cinema, and T.V. Gharibpour is known for his research projects on Iranian puppetry during Qajar era.



Behzad Abdi (Composer)



Homayoun Shajarian (Singer)


Mohammad Motamedi (Singer)