"Rashid Khan"

Shojaoddoleh's Manor House in Ghoochan

"Rashid Khan" is an Iranian folk song from Ghoochan, located in northeast of Khorasn, Iran. In Ghoochan, the song is known as "Ghoochan Kharabeh" or "Ruined Ghoochan", but in the rest of Iran, it is usually referred to as "Rashid Khan." Here are two different performances of the song, Pari Zangeneh's "Rashid Khan" and a modern instrumental adaptation of the Khorasani classic by Shirin Delsooz.

Pari Zangeneh

Pari Zangeneh, an acclaimed Persian female vocalist, began her study of music in Iran at a very early age before continuing her studies in Italy, Germany, and Austria. Renowned for her unique opera-style music, Zangeneh’s beautiful music is both charming and soothing. Her musical portfolio is varied and complex. She has been given as much credit for generating interest in Persian folk music as for her solo performance of Beethoven’s Ninth Symphony with the Florida Symphonic Orchestra. Her voice has been heard around the globe: at the Palazzo Barbarini in Rome; the Kennedy Center in Washington D.C.; Lincoln Center in NYC; Herbst Theatre in San Francisco; Harvard University in Cambridge, Massachusetts; Salmino, Paris; Hercules Hall, Munich; Wilshire Ebell Theatre, Los Angeles; to name but a few. She is the recipient of many international awards for her magnificent performances, including the First Medal of Work, the International Gold Medal for Voice, and the title of Ambassador of Good Will.

In 1971, unfortunately, Ms. Zangeneh lost her eyesight in an automobile accident. This incident did not diminish her enthusiasm and passion for life, nor her pursuit of excellence. In addition to her musical performances she has studied and researched the folk music of many countries, and has preserved a wealth of melodious songs and stories. She has authored several books all to critical acclaim. All her writings are available in Braille. (From Encyclopædia Iranica)

Shirin Delsooz

Shirin Delsooz is a Persian-Canadian musician based in Montreal whose influences range from alternative to traditional music. Her latest EP features her singing, playing mandolin and guitar, and also features musicians she met in the Irish and Quebecois traditional music scene.Shirin combines her Persian heritage and inspirations ranging from Celtic, Quebecois and Bluegrass genres into her songs.

A recent trip to Iran opened her eyes to a genre of Persian gypsy music. Her mind has been made since, her next music project will incorporate their charming accordians and upbeat percussive drums. (From CBC)

Sima Bina

Sima Bina

A lifetime of dedicated work on Persian folk music has made Sima Bina a legendary characterin the history of Iranian music.

Her singing careerbegins at the age of 10 with a popular radio program for children. Her musicaltalent drives her into taking music more seriously. She studied and perfectedPersian classical music with some of the great masters, and when she attainedthe artistic maturity to decide on her musical path, she chose to devote herlife to reviving the folk music of her homeland.

The fascination for Iranian folk music and songs had been ignited by her father, her first music teacherand songwriter. But, ironically its development into a lifetime commitment coincidedwith a historical time when her musical activities were banned in her homeland. Sima, however, maintains that it was ablessing in disguise. She says, “Whenyou can’t perform, people are taken away from you. So your focus shifts moreseriously to what you search for in life.”

In more than thirtyyears, by traveling to some of the most remote places all over Iran, Sima Bina collectedan assortment of almost forgotten folk songs and melodies. By recomposing the folksongsand tunes for her performance, Sima has formed her own distinctive style in Iranianfolk music.

Since 1993 Sima Binahas accepted invitations to perform her music worldwide in prestigiousfestivals and organized concerts. The worldwide recognition her music receivestoday is the materialization of over forty years of her devotion to Iranianfolk music.

While pursuingIranian folksongs, Sima often came across a variety of ethnic lullabies whichshe added to her collected works. This collection finally led to her book, IranianLullabies in 2009. In this book, SimaBina not only shares her findings, her perception, the scores and visualexpression of the selected lullabies with mothers, she also presents fortyoriginal Iranian lullabies in four CDs in which her vocal is sometimes blended withthe singing of the mothers who had song the lullabies to her in different partsof Iran.

Sima continues topresent Iranian folksongs in World Music festivals and concerts, while furtherexploring hidden folksongs in the vast plateau of Iran. She is currently working on Balouch music andmaintains documenting her findings of Iranian folksongs and music. (Sima Bina's Official Website)

"Mashhad" a View by a Corrector of Persian Carpets

Imam Reza Shrine

Mashhad (Persian: مشهد Mashhad, Arabic: مشهد Mašhad‎, English: The Place of Martyrdom), is the second largest city in Iran and one of the holiest cities in the Shia Muslim world. It is also the only major Iranian city with an Arabic name. It is located 850 kilometres (530 mi) east of Tehran, at the center of the Razavi Khorasan Province close to the borders of Afghanistan and Turkmenistan. Its population was 2,427,316 at the 2006 population census.

Now Mashhad is notably known as the resting place of the Imam Reza. A shrine was later built there to commemorate the Imam, which in turn gave rise to increasing demographic development.

Mashhad is also known as the city of Ferdowsi, the Iranian poet of Shahnameh, which is considered to be the national epic of Iran. (From Wikipedia)



Ferdowsi Tomb Mashhad



Gholam Ali Pouratayee, Khorasan Music

Maestro Gholam Ali Pouratayee is one of the biggest names in the history of traditional Khorasani music. He lives in Torbat Jam.

Gholam Ali Pouratayee

Greater Khorasan or Ancient Khorasan (Persian: خراسان کهن یا خراسان بزرگ) (also written Khurasan) is a historical region spanning what are now northeastern Iran, most of Afghanistan, and the southern parts of Turkmenistan, Uzbekistan and Tajikstan. The name "Khorasan" is derived from Middle Persian khor (meaning "sun") and asan (or ayan literally meaning "to come" or "coming"), hence meaning "land where the sun rises". The Persian word Khāvar-zamīn (Persian: خاور زمین), meaning "the eastern land", has also been used as an equivalent term.

Khorasan in its proper sense comprised principally the cities of Nishapur and Tus (now in Iran), Balkh and Herat (now in Afghanistan), Merv (now in Turkmenistan), and Samarqand and Bukhara (now in Uzbekistan). However, the name has been used in the past to cover a larger region that encompassed most of Transoxiana and Soghdiana in the north, extended westward to the Caspian Sea, southward to include the Sistan desert and eastward to the Hindu Kush mountains in Afghanistan. Arab geographers even spoke of its extending to the boundaries of ancient India, possibly as far as the Indus valley, in what is now Pakistan. Sources from the 14th to the 16th century report that Kandahar, Ghazni and Kabul in Afghanistan formed the frontier region between Khorasan and Hindustan.

In the Islamic period, Persian Iraq and Khorasan were the two important territories. The boundary between these two was the region surrounding the cities of Gurgan and Damghan. In particular, the Ghaznavids, Seljuqs and Timurids divided their empires into Iraqi and Khorasani regions. The adjective Greater is added these days to distinguish the historical region from the Khorasan province of Iran, which roughly encompasses the western half of the historical Khorasan. It is also used to indicate that ancient Khorasan encompassed a loose collection of territories individually known by other popular names, such as Bactria, Khwarezmia, Sogdiana, Transoxiana, and Sistan or Arachosia.

Torbat-e Jām is an ancient city in the Razavi Khorasan state in north-eastern Iran. It is about 160 kilometres (99 miles) southwest of Mashhad, about 60 kilometres (35 miles) north of Taybad, and about 40 kilometres (25 miles) west of the Afghanistan border. There are many ancient places there, like the mazar (tomb) of Sheikh Ahmad Jami and Prince Ghasem Anvar. It includes many villages, such as Bezd, Mahmoodabad, Nilshahr. (From Wikipedia)

Here is a vocal performance by Gholam Ali Pouratayee accompanied by his legendary dutar.