Showing posts with label French. Show all posts
Showing posts with label French. Show all posts

Tuesday, 24 January 2012

Découverte du Monde: Ispahan (French)



Isfahan (Persian: اصفهان Esfahān), historically also rendered in English as Ispahan, Sepahan or Hispahan, is the capital of Isfahan Province in Iran, located about 340 km south of Tehran. It has a population of 1,583,609 and is Iran's third largest city after Tehran and Mashhad. The Isfahan metropolitan area had a population of 3,430,353 in the 2006 Census, the second most populous metropolitan area in Iran after Tehran.

The cities of Najafabad, Se-deh (Homayounshahr, renamed Khomeinishahr since 1981), Khan Isfahan, Shahin-shahr, Zarrinshahr, Mobarakeh, Falavarjan and Fouladshahr all constitute the metropolitan city of Isfahan.

Isfahan is located on the main north-south and east-west routes crossing Iran, and was once one of the largest cities in the world. It flourished from 1050 to 1722, particularly in the 16th century under the Safavid dynasty, when it became the capital of Persia for the second time in its history. Even today, the city retains much of its past glory. It is famous for its Islamic architecture, with many beautiful boulevards, covered bridges, palaces, mosques, and minarets. This led to the Persian proverb "'Esfahān nesf-e jahān ast" (Isfahan is half of the world).

The Naghsh-e Jahan Square in Isfahan is one of the largest city squares in the world and an outstanding example of Iranian and Islamic architecture. It has been designated by UNESCO as a World Heritage Site. The city also has a wide variety of historic monuments. (From Wikipedia)






Tuesday, 6 December 2011

Henry Corbin; Shiisme et Ismaélisme (French)



Henry Corbin

Henry Corbin (14 April 1903 - 7 October 1978) was a philosopher, theologian and professor of Islamic Studies at the Sorbonne in Paris, France.

Corbin was born in Paris in April 1903. As a boy he revealed the profound sensitivity to music so evident in his work. Although he was Protestant by birth, he was educated in the Catholic tradition and at the age of 19 received a certificate in Scholastic philosophy from the Catholic Institute of Paris. Three years later he took his "licence de philosophie" under the great Thomist Étienne Gilson. In 1928 he encountered the formidable Louis Massignon, director of Islamic studies at the Sorbonne, and it was he who introduced Corbin to the writings of Suhrawardi, the 12th century Persian mystic and philosopher whose work was to profoundly affect the course of Corbin’s life. The stage was then set for a personal drama that has deep significance for understanding those cultures whose roots lie in both ancient Greece and in the prophetic religions of the Near East reaching all the way back to Zoroaster. Years later Corbin said “through my meeting with Suhrawardi, my spiritual destiny for the passage through this world was sealed. Platonism, expressed in terms of the Zoroastrian angelology of ancient Persia, illuminated the path that I was seeking.”

Corbin is responsible for redirecting the study of Islamic philosophy as a whole. In his Histoire de la philosophie islamique (1964), he disproved the common view that philosophy among the Muslims came to an end after Ibn Rushd, demonstrating rather that a lively philosophical activity persisted in the eastern Muslim world – especially Iran – and continues to our own day. (From Wikipedia)



Thursday, 14 July 2011

LES ZOURHAEH by Charies Brabant (French)









Varzesh-e-Bastani (ancient sport):

A rigorous and comprehensive physical exercise session of 60 to 90 minutes, consisting of different kinds of physical activities appropriate for the homogeneous age groups of 16 to 60-70 year old. These exercises were practiced under special customs and rituals established over hundreds of years. Each session of Varzesh-e-Bastani comprises: 1-Warming up, 2- main body of physical exercises, and 3-warming down.

 
Morshed:
Is an experienced Bastanikar who, at the same time, is a well-educated man who also has some talents in music. He is especially competent in providing the different rhythms that are needed for directing the various exercises of a Varzesh-e-Bastani practice session. He does this job by chanting the epic poems and coupletsand by playing the Zarb and Zang (see below) that he has at hand. Some times there are two Morsheds who in harmony with each other direct the practice session. (From Zoorkhaneh and Varzesh-E-Bastani By Ali Mohamad Amirtash)