Thursday 2 June 2011

Silk Road Project: Kayhan Kalhor Talks about the Kamancheh

Woman playing the kamancheh in a painting from
the Hasht Behesht Palace in Isfahan Persia, 1669.


Kayhan Kalhor (Persian: كيهان كلهر), born 1963, is an Iranian kamancheh player, composer and master of classical Persian music.He is from a Kurdish family.

Kayhan Kalhor was born in Tehran. He began studying music at the age seven. By the age of thirteen he was playing in the National Orchestra of Radio and Television of Iran. Continuing his music studies under various teachers, he studied in the Persian radif tradition and also travelled to study in the northern part of Khorasan province, where music traditions have Kurdish and Turkic influences as well as Persian. At a musical conservatory in Tehran around age 20 Kalhor worked under the directorship of Mohammad-Reza Lotfi who is from Northern Khorasan. Kalhor also travelled in the northwestern (Kurdish) provinces of Iran. He later moved to Rome and Ottawa to study European classical music.

The kamānche or kamāncha (Persian: کمانچه ) is a Persian bowed string instrument related to the bowed rebab, the historical ancestor of the kamancheh and also to the bowed lira of the Byzantine Empire, ancestor of the European violin family. The strings are played with a variable-tension bow: the word "kamancheh" means "little bow" in Persian (kæman, bow, and -cheh, diminutive). It is widely used in the classical music of Iran, Armenia, Azerbaijan, Uzbekistan and Turkmenistan, with slight variations in the structure of the instrument. (From Wikipedia)






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